The breast is the most questioned, exploited, connoted feminine space. During her disease, Pauline saw her husband leaving her, then her breast. With them, this first cancer. It is now difficult for her to consider a sexuality because of this souvenir. The mammary reconstruction that was following, failed. The prothesis gave in and its contents is slowly going into her body. She is waiting for a new intervention. The idea that it is necessary to be fit to be seen, pushes away the conception of a relationship with a man. The hope to please again is fossilized in the last stage of the mammary recontruction: the tattoo of a nipple. The cancer is a reprieve which imposes to compose with the codes of a society, souvenirs and a disrupted body.