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Diptych I
Triptych I
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Diptych II
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- © karine laval
My images often explore the friction between the real and the imaginary.
“Mise en Abyme” conveys the different layers at play in this new body of work and marks a departure from my previous works although I revisit my first subject matter – swimming pools. But this time the focus is not on public swimming pools (like it was the case in my series "The Pool"). Like a trespasser, I entered the intimate space of people’s private pools to capture large-scale tableaux oscillating between abstraction and representation, movement and stillness, gravity and weightlessness.
In this new work, the pool is not the main subject in a literal sense, and the images are not mere representation of the mundane activities revolving around water. It is more about shape, color, texture and the depiction of a world at the edge of the real and surreal. I see the pool more as a metaphor, a mirror whose surface reflects the surrounding world but is also a gate into another - dreamlike - world, a sort of mise en abyme. Here, the water becomes a transformative membrane, where the distorted bodies and landscapes echo physical dissolutions and sliding states of mind - a sort of mental imprisonment from which to escape.
I intentionally flipped some of the images upside down as I like to use photography to challenge the familiar perception we have of the world and I often see my pictures as a bridge between the world we live in and a more surreal and dreamlike dimension. I think that aspect in my work is not only created by the sometimes-unusual angles, but also by the color palette I use, which gives the images a painterly quality. Brush strokes - almost palpable in her chalky white clouds - and washed-out skies - reminiscent of watercolors - are side by side with the kindled waters of swimming pools, shimmering like candy wrapper… I do find inspiration in painting, both abstract and figurative, and some of the images in the series echo some modern and contemporary painters - such as Francis Bacon or David Hockney - and evoke David Lynch's surreal and nightmarish worlds.

















